Bithoor, Uttar Pradesh
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Bithoor, Uttar Pradesh

Bithoor Ghats (52 ghats in total surround Bithoor).
Image Source: Wikimedia Commons
A small town on the banks of the River Ganga, near Kanpur, Uttar Pradesh, Bithoor is a place of great religious and historical importance. The town has been mentioned in ancient Hindu manuscripts. According to legends, Bithoor became the residence of Lord Brahma after Lord Vishnu recreated the universe.
Bithoor got its name after several changes. Utpalaranya forest is believed to be the site of Brahma’s Ashwamedha Yajna (A nail of one of the horses used in the Yajna is believed to have been preserved at the site and stands as a testament to the ancient legend). The temple (one of the few shrines devoted to Lord Brahma in India) also has a Shivalinga named Brahmeshwar Mahadeva, believed to have been established by Brahma. After the Yajna was completed, the same forest was given the name Brahmavart Ghat (the seat of Brahma), which the locals later came to call Bithoor. The first humans, Manu and Shatarupa, are also believed to have been created in the Brahmavart Ghat.

Brahmavart Ghat.
Image Source: Wikimedia Commons
Later, Bithoor flourished under the reign of Emperor Uttanapada. His son, Prince Dhruva, was a great devotee of Lord Vishnu. It is said that Dhruva performed intense tapasya (penance) in the forest to appease Lord Vishnu. Delighted with his dedication and devotion, Lord Vishnu appeared before him and granted him the boon of immortality, and Dhruva became a shining star in the galaxy. The Dhruva Taara (Pole Star) is named after him. Moreover, Dhruva Teela (Dhruva’s Hill) still stands in Bithoor as evidence of Dhruva’s penance.
Bithoor is considered a prominent religious site due to its association with the ancient text, the Ramayana. The town houses the Valmiki Ashram. It is believed that sage Valmiki composed the Ramayana in this ashram. Goddess Sita took refuge in Valmiki Ashram during her exile and gave birth to Luv and Kush. A place inside the Valmiki Ashram is known as Luv-Kush Janmsthal. It is said that Luv-Kush received their education from Valmiki at this spot. The ashram also consists of Sita Rasoi, which is believed to be Goddess Sita’s kitchen during her exile. Another site, Sita Patal Pravesh, is the site where she decided to unite with Mother Earth. Additionally, Lord Hanuman is believed to have stayed at Valmiki Ashram while searching for Luv, Kush, and Goddess Sita. Therefore, Valmiki Ashram has immense religious significance.

Valmiki Ashram.
Image Source: Wikimedia Commons
In the 18th century, Maharaja Tikait Rai Bahadur, Diwan of Awadh, built a red stone bathing structure in Bithoor, known as Patthar Ghat. This ancient structure stands on the banks of the river Ganga and houses a temple devoted to Lord Shiva, in which the Shivalinga is made of Kasauti Stone.
During the British Raj, Bithoor was part of the Cawnpore (today known as Kanpur) district in the United Provinces. It played a significant part in the First War of Independence of 1857. Rani Laxmi Bai, a freedom fighter, spent her childhood in Bithoor. The Siege of Cawnpore (5th-25th June 1857) is said to have started in Bithoor, near the Bithoor Fort. Nana Saheb (adopted son of Maratha Peshwa Baji Rao II) was banished to Bithoor, after which Bithoor Fort became the headquarters for planning the fight against the British. Prominent freedom fighters such as Rani Laxmi Bai, Nana Saheb, Ram Chandra Pandurang and Tatya Tope started the revolt against the British in Bithoor. The actions of the force led by Nana Saheb resulted in the killing of over 300 British men, women and children during the Siege of Cawnpore.

Map of Bithoor
General Havelock captured Bithoor on 19 July 1857. Bithoor Fort, ghats and temples were set on fire by the British officials, in which Mainawati, Nana Saheb’s 14-year-old daughter, was also burnt to death. To commemorate Mainawati, the State Government named a road in Kanpur Mainawati Marg.
Around 25,000 men, women and children of Bithoor were killed by the British to spread terror, and their bodies were found hanging on the trees of the town. Bithoor is remembered as a place where a large number of people were mercilessly killed for revolting against the British Empire. At present, what remains of the Bithoor Fort is only ruins.
All Souls’ Church (25 kilometres from Bithoor) was built in the year 1875 to honour British officials who were killed during the Siege of Cawnpore. The church premises also have a Memorial Well erected to mourn the lives of the British women and children who lost their lives in the Battle of Bithoor.

All Souls’ Church.
Image Source: Wikimedia Commons

Historic tree preserved at the Nana Saheb Smarak.
Image Source: Wikimedia Commons
The state government has now established a memorial park, Nana Saheb Smarak. It consists of a museum and a gallery containing historical relics from the colonial period, such as Royal Orders, coins, stamps, and other antiques. It also has statues of Nana Saheb, Rani Laxmi Bai, Tatya Tope, and other freedom fighters who started the Siege of Cawnpore. It is believed that the park has old banyan trees on which were hung the residents of Bithoor after British officials ordered mass hangings after the siege of Cawnpore. Those historic trees have been preserved as a testament to the people of Bithoor’s struggle against the British.
According to a legend, before renouncing his titles and going to Nepal, Nana Saheb threw his jewels in a well. The well is now located in the Nana Saheb Smarak. The whereabouts of the jewels remain unknown.

Nana Saheb Smarak.
Image Source: Wikimedia Commons
The descendants of Maratha Peshwas (Nana Saheb and his generals) still reside in Bithoor and its adjoining areas. The Maratha names of those residing in Bithoor include Tope, Moghe, Taknikar, Sapre, Hardekar, Sehajwalkar, Athwalle, and Pinge. The descendants hoist the tricolour on every Independence Day (since 1947) at the spot where Nana Saheb used to formulate policies with his generals.
Bithoor commemorates important events spanning various periods in India’s history. It is a testimony to the experiences, struggles, and memories of people from ancient, medieval and modern India.