Government of IndiaNatankusa : a critique on dramaturgy
Author: Paulose, K G
Keywords: Sanskrit drama
Performing arts
Issue Date: 1994
Publisher: Sangeet Natak Akademi, New Delhi
Description: The Kriyanrtta, if intended to be an invocation to the deities, should be performed in the Purvaranga itself, to the enjoyment of all, embellished with the attractive accessories of Karana and Angahara, The 'Kriya', as it is inserted amidst the story beyond the perifery of Piirvaranga,cannot claim the status of anauspicious obeisance to the gods.
Description: I. Criticism of kriyanrtta; II. Kriyanrtta; III. Kriyanrtta conlcusion; IV. Incogruties in anguliyanka; V. Mantrankam: a criticism; VI. Non persentation of dramatic charaters; VII. Conclusion
Source: Sangeet Natak Akademi
Type: Article
Received From: Sangeet Natak Akademi
| DC Field | Value |
| dc.contributor.author | Paulose, K G |
| dc.coverage.spatial | India |
| dc.date.accessioned | 2017-07-10T04:03:42Z |
| dc.date.available | 2017-07-10T04:03:42Z |
| dc.description | I. Criticism of kriyanrtta; II. Kriyanrtta; III. Kriyanrtta conlcusion; IV. Incogruties in anguliyanka; V. Mantrankam: a criticism; VI. Non persentation of dramatic charaters; VII. Conclusion |
| dc.date.issued | 1994 |
| dc.description.abstract | The Kriyanrtta, if intended to be an invocation to the deities, should be performed in the Purvaranga itself, to the enjoyment of all, embellished with the attractive accessories of Karana and Angahara, The 'Kriya', as it is inserted amidst the story beyond the perifery of Piirvaranga,cannot claim the status of anauspicious obeisance to the gods. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 147-189 p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Sanskrit drama Performing arts |
| dc.type | Article |
| dc.identifier.issuenumber | 111-114 |
| dc.format.medium | text |
| dc.contributor.translator | Paulose, K G |
| DC Field | Value |
| dc.contributor.author | Paulose, K G |
| dc.coverage.spatial | India |
| dc.date.accessioned | 2017-07-10T04:03:42Z |
| dc.date.available | 2017-07-10T04:03:42Z |
| dc.description | I. Criticism of kriyanrtta; II. Kriyanrtta; III. Kriyanrtta conlcusion; IV. Incogruties in anguliyanka; V. Mantrankam: a criticism; VI. Non persentation of dramatic charaters; VII. Conclusion |
| dc.date.issued | 1994 |
| dc.description.abstract | The Kriyanrtta, if intended to be an invocation to the deities, should be performed in the Purvaranga itself, to the enjoyment of all, embellished with the attractive accessories of Karana and Angahara, The 'Kriya', as it is inserted amidst the story beyond the perifery of Piirvaranga,cannot claim the status of anauspicious obeisance to the gods. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 147-189 p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Sanskrit drama Performing arts |
| dc.type | Article |
| dc.identifier.issuenumber | 111-114 |
| dc.format.medium | text |
| dc.contributor.translator | Paulose, K G |
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