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Music and symbolism: studies in music: III

Author: Ranade, Ashok D.

Keywords: Music
Music--Philosophy and aesthetics

Issue Date: 1987

Publisher: Sangeet Natak Akademi, New Delhi

Description: This is the third of a series of three articles by Ashok D. Ranade addressed to certain conceptual problems in the study of music. In this series, he pointed out the moment the discussion is about the art stage of any kind of manifestation, the confrontation is with a highly processed reality and also discussed about the musical symbolism is which confined to art music and an added limitation that has been to restrict the consideration to the feeling aspect.

Source: Sangeet Natak Akademi

Type: Article

Received From: Sangeet Natak Akademi


DC Field Value
dc.contributor.author Ranade, Ashok D.
dc.date.accessioned 2017-07-07T02:45:53Z
dc.date.available 2017-07-07T02:45:53Z
dc.date.issued 1987
dc.description.abstract This is the third of a series of three articles by Ashok D. Ranade addressed to certain conceptual problems in the study of music. In this series, he pointed out the moment the discussion is about the art stage of any kind of manifestation, the confrontation is with a highly processed reality and also discussed about the musical symbolism is which confined to art music and an added limitation that has been to restrict the consideration to the feeling aspect.
dc.source Sangeet Natak Akademi
dc.format.extent 46-57 p.
dc.format.mimetype application/pdf
dc.language.iso en
dc.publisher Sangeet Natak Akademi, New Delhi
dc.subject Music
Music--Philosophy and aesthetics
dc.type Article
dc.identifier.issuenumber 83
dc.format.medium text
DC Field Value
dc.contributor.author Ranade, Ashok D.
dc.date.accessioned 2017-07-07T02:45:53Z
dc.date.available 2017-07-07T02:45:53Z
dc.date.issued 1987
dc.description.abstract This is the third of a series of three articles by Ashok D. Ranade addressed to certain conceptual problems in the study of music. In this series, he pointed out the moment the discussion is about the art stage of any kind of manifestation, the confrontation is with a highly processed reality and also discussed about the musical symbolism is which confined to art music and an added limitation that has been to restrict the consideration to the feeling aspect.
dc.source Sangeet Natak Akademi
dc.format.extent 46-57 p.
dc.format.mimetype application/pdf
dc.language.iso en
dc.publisher Sangeet Natak Akademi, New Delhi
dc.subject Music
Music--Philosophy and aesthetics
dc.type Article
dc.identifier.issuenumber 83
dc.format.medium text