Government of IndiaMovements and institutions in Indian theatre
Author: Basu, Dilip Kumar
Keywords: Theater
Performing arts
Issue Date: 2000
Publisher: Sangeet Natak Akademi, New Delhi
Description: In this paper author’s propose to deal mainly with the relations between movements and institutions in Indian theatre. The emphasis of this paper, on the other hand, will be on theatre-histories of a kind which, lamentably. We do not have in this country. Different angles need to be considered to understand the relations between institutions and movements in Indian theatre. By imparting theatre education of a specific kind and thus shaping attitudes in its pupils, and the audience watching its productions.. Movements of all kinds find it increasingly difficult to present alternative viewpoints and perspectives as NSD strengthens its hold on Indian theatre. The prestige of the School makes it a heavyweight, controlling the country 's idea of theatre·
Source: Sangeet Natak Akademi
Type: Article
Received From: Sangeet Natak Akademi
| DC Field | Value |
| dc.contributor.author | Basu, Dilip Kumar |
| dc.date.accessioned | 2017-07-11T00:25:11Z |
| dc.date.available | 2017-07-11T00:25:11Z |
| dc.date.issued | 2000 |
| dc.description.abstract | In this paper author’s propose to deal mainly with the relations between movements and institutions in Indian theatre. The emphasis of this paper, on the other hand, will be on theatre-histories of a kind which, lamentably. We do not have in this country. Different angles need to be considered to understand the relations between institutions and movements in Indian theatre. By imparting theatre education of a specific kind and thus shaping attitudes in its pupils, and the audience watching its productions.. Movements of all kinds find it increasingly difficult to present alternative viewpoints and perspectives as NSD strengthens its hold on Indian theatre. The prestige of the School makes it a heavyweight, controlling the country 's idea of theatre· |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 22-27p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Theater Performing arts |
| dc.type | Article |
| dc.identifier.issuenumber | 137-138 |
| dc.format.medium | text |
| DC Field | Value |
| dc.contributor.author | Basu, Dilip Kumar |
| dc.date.accessioned | 2017-07-11T00:25:11Z |
| dc.date.available | 2017-07-11T00:25:11Z |
| dc.date.issued | 2000 |
| dc.description.abstract | In this paper author’s propose to deal mainly with the relations between movements and institutions in Indian theatre. The emphasis of this paper, on the other hand, will be on theatre-histories of a kind which, lamentably. We do not have in this country. Different angles need to be considered to understand the relations between institutions and movements in Indian theatre. By imparting theatre education of a specific kind and thus shaping attitudes in its pupils, and the audience watching its productions.. Movements of all kinds find it increasingly difficult to present alternative viewpoints and perspectives as NSD strengthens its hold on Indian theatre. The prestige of the School makes it a heavyweight, controlling the country 's idea of theatre· |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 22-27p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Theater Performing arts |
| dc.type | Article |
| dc.identifier.issuenumber | 137-138 |
| dc.format.medium | text |
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