Government of IndiaMarathi sangeet
Author: Bhole, Keshevrao
Keywords: Music--India
Musical theater
Issue Date: 1970
Publisher: Sangeet Natak Akademi, New Delhi
Description: The contribution of forms of entertainment like drama, films and dance to music has been considerable. Not being restricted to the stricter grammar ofclassical music, they have greater freedom of choice of music; this is particularly important for them, as the music they employ is highly programme oriented. The sources of such music are also electic, folk, light-classical, classical and foreign forms are freely used. Dramafor instance" has beenafield where different ragas enter into what appear as different areas. Maharashtra for example has taken up ragas like Ananda Bhairavi from Karnatak, and styles like thumri and ghazals from North India. Dramatic and cinematic presentations have also borrowed heavily from folk music. The films improvise much of this and often imitate wholly Western lighter forms, often to the detriment of fine taste. The two articles-one by Sri Bhole and the other by Sri Joshi-i-study the contribution of Marathi drama to Indian Music. These papers were first presented some years ago at a Seminar organised by the Akademi at Delhi. They are a valuable source of information and a record of later enquiries into the same field.
Source: Sangeet Natak Akademi
Type: Article
Received From: Sangeet Natak Akademi
| DC Field | Value |
| dc.contributor.author | Bhole, Keshevrao |
| dc.coverage.spatial | Maharashtra |
| dc.date.accessioned | 2017-06-16T10:14:21Z |
| dc.date.available | 2017-06-16T10:14:21Z |
| dc.date.issued | 1970 |
| dc.description.abstract | The contribution of forms of entertainment like drama, films and dance to music has been considerable. Not being restricted to the stricter grammar ofclassical music, they have greater freedom of choice of music; this is particularly important for them, as the music they employ is highly programme oriented. The sources of such music are also electic, folk, light-classical, classical and foreign forms are freely used. Dramafor instance" has beenafield where different ragas enter into what appear as different areas. Maharashtra for example has taken up ragas like Ananda Bhairavi from Karnatak, and styles like thumri and ghazals from North India. Dramatic and cinematic presentations have also borrowed heavily from folk music. The films improvise much of this and often imitate wholly Western lighter forms, often to the detriment of fine taste. The two articles-one by Sri Bhole and the other by Sri Joshi-i-study the contribution of Marathi drama to Indian Music. These papers were first presented some years ago at a Seminar organised by the Akademi at Delhi. They are a valuable source of information and a record of later enquiries into the same field. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 41-56p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Music--India Musical theater |
| dc.type | Article |
| dc.format.medium | text |
| DC Field | Value |
| dc.contributor.author | Bhole, Keshevrao |
| dc.coverage.spatial | Maharashtra |
| dc.date.accessioned | 2017-06-16T10:14:21Z |
| dc.date.available | 2017-06-16T10:14:21Z |
| dc.date.issued | 1970 |
| dc.description.abstract | The contribution of forms of entertainment like drama, films and dance to music has been considerable. Not being restricted to the stricter grammar ofclassical music, they have greater freedom of choice of music; this is particularly important for them, as the music they employ is highly programme oriented. The sources of such music are also electic, folk, light-classical, classical and foreign forms are freely used. Dramafor instance" has beenafield where different ragas enter into what appear as different areas. Maharashtra for example has taken up ragas like Ananda Bhairavi from Karnatak, and styles like thumri and ghazals from North India. Dramatic and cinematic presentations have also borrowed heavily from folk music. The films improvise much of this and often imitate wholly Western lighter forms, often to the detriment of fine taste. The two articles-one by Sri Bhole and the other by Sri Joshi-i-study the contribution of Marathi drama to Indian Music. These papers were first presented some years ago at a Seminar organised by the Akademi at Delhi. They are a valuable source of information and a record of later enquiries into the same field. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 41-56p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Music--India Musical theater |
| dc.type | Article |
| dc.format.medium | text |
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