Government of IndiaMajor kutiyattam artists and families
Author: Menon, K P S
Keywords: Sanskrit drama
Theater: Music
Issue Date: 1994
Publisher: Sangeet Natak Akademi, New Delhi
Description: Though Chakyars necessarily receive their training both in the presentation of Kutiyattam and the exposition of Kuttu, usually they do not excel equally in both, Those better at oral delivery, than in visual appeal or histrionic talent specialize is Kuttu and take the role of Vidushaka in the performances, Those endowed with good looks and artistic skill become actors of great calibre. In the past, in classical arts like Kutiyattam and Kuttu, there were many old masters, who have had glorious careers as artists. and this essay tries to remember Some of them.
Description: From Margi Souvenir 1976. Trivandrum: Tramlated from Malayalam
Source: Sangeet Natak Akademi
Type: Article
Received From: Sangeet Natak Akademi
| DC Field | Value |
| dc.contributor.author | Menon, K P S |
| dc.coverage.spatial | India |
| dc.date.accessioned | 2017-07-10T03:56:06Z |
| dc.date.available | 2017-07-10T03:56:06Z |
| dc.description | From Margi Souvenir 1976. Trivandrum: Tramlated from Malayalam |
| dc.date.issued | 1994 |
| dc.description.abstract | Though Chakyars necessarily receive their training both in the presentation of Kutiyattam and the exposition of Kuttu, usually they do not excel equally in both, Those better at oral delivery, than in visual appeal or histrionic talent specialize is Kuttu and take the role of Vidushaka in the performances, Those endowed with good looks and artistic skill become actors of great calibre. In the past, in classical arts like Kutiyattam and Kuttu, there were many old masters, who have had glorious careers as artists. and this essay tries to remember Some of them. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 128-140 p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Sanskrit drama Theater: Music |
| dc.type | Article |
| dc.identifier.issuenumber | 111-114 |
| dc.format.medium | text |
| dc.contributor.translator | Gopalakrishnan, Sudha |
| DC Field | Value |
| dc.contributor.author | Menon, K P S |
| dc.coverage.spatial | India |
| dc.date.accessioned | 2017-07-10T03:56:06Z |
| dc.date.available | 2017-07-10T03:56:06Z |
| dc.description | From Margi Souvenir 1976. Trivandrum: Tramlated from Malayalam |
| dc.date.issued | 1994 |
| dc.description.abstract | Though Chakyars necessarily receive their training both in the presentation of Kutiyattam and the exposition of Kuttu, usually they do not excel equally in both, Those better at oral delivery, than in visual appeal or histrionic talent specialize is Kuttu and take the role of Vidushaka in the performances, Those endowed with good looks and artistic skill become actors of great calibre. In the past, in classical arts like Kutiyattam and Kuttu, there were many old masters, who have had glorious careers as artists. and this essay tries to remember Some of them. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 128-140 p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Sanskrit drama Theater: Music |
| dc.type | Article |
| dc.identifier.issuenumber | 111-114 |
| dc.format.medium | text |
| dc.contributor.translator | Gopalakrishnan, Sudha |
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