Keywords: आधुनिक चित्रकला
कलाकृति
Issue Date: 1919
Publisher: राष्ट्रीय आधुनिक कला संग्रहालय, नई दिल्ली
Description: इस चित्रकारी को एम. वी. धुरंधर नाम के एक भारतीय कलाकार ने बनाया है। पहले चित्र में पंढरपुर जाते हुए तीर्थयात्री को दर्शाया गया है, और दूसरे में मराठा लोगों की भांति दो महिलाओं को दर्शाया गया है। पहली चित्रकारी के ऊपरी दाएं कोने पर, पेंसिल से, अंग्रेजी में 'हलकोटी 14.8.19' लिखा हुआ है। दूसरी चित्रकारी के दाहिने निचले कोने पर पेंसिल से दिनांक '1919' लिखा गया है।
Type: चित्रकारी
Received From: राष्ट्रीय आधुनिक कला संग्रहालय, नई दिल्ली
DC Field | Value |
dc.contributor | Dhurandhar, M. V. (1867-1944) |
dc.coverage.spatial | India |
dc.date.accessioned | 2020-09-15T13:44:52Z |
dc.date.available | 2020-09-15T13:44:52Z |
dc.description | इस चित्रकारी को एम. वी. धुरंधर नाम के एक भारतीय कलाकार ने बनाया है। पहले चित्र में पंढरपुर जाते हुए तीर्थयात्री को दर्शाया गया है, और दूसरे में मराठा लोगों की भांति दो महिलाओं को दर्शाया गया है। पहली चित्रकारी के ऊपरी दाएं कोने पर, पेंसिल से, अंग्रेजी में 'हलकोटी 14.8.19' लिखा हुआ है। दूसरी चित्रकारी के दाहिने निचले कोने पर पेंसिल से दिनांक '1919' लिखा गया है। |
dc.date.issued | 1919 |
dc.description.sponsorship | Dhurandhar was born in Kolhapur (a district in Maharashtra). His father understood and supported his son's extraordinary artistic talents and put him under the tutorship of famous painter Abalal Rehman. In one of his trips to Mumbai the artist came across the JJ School of Art and joined the institution to pursue his art studies. He was under the guidance of John Griffiths between 1890-95. Dhurandhar later spent most of his years teaching at the Sir J. J. School of Art, Bombay, and retired as Vice-Principal. The study course in JJ School of Art focused on academic realism where a lot of significance was laid on the correct representation of the subject. Hence the stress lay on acquiring skills in sketching and modelling after which the artist could choose to paint in oil or watercolour. Dhurandhar was influenced by Raja Ravi Varma's style of combining classical Western academic training with traditional Indian craftsmanship. He painted a lot of figurative works and studies of people and excelled in his drawings of the women figures, especially Maharashtrian women in their traditional attires and working in their kitchens, in the markets, celebrating festivals, attending weddings, etc. and won many awards when he was still studying. |
dc.format.extent | 1. 13.5 X 17.5 cm 2. 13.5 X 17.5 cm |
dc.format.mimetype | image/jpg |
dc.publisher | राष्ट्रीय आधुनिक कला संग्रहालय, नई दिल्ली |
dc.subject | आधुनिक चित्रकला कलाकृति |
dc.type | चित्रकारी |
dc.identifier.accessionnumber | ngma-03301 |
dc.format.medium | image |
dc.format.material | Watercolor, Paper |
DC Field | Value |
dc.contributor | Dhurandhar, M. V. (1867-1944) |
dc.coverage.spatial | India |
dc.date.accessioned | 2020-09-15T13:44:52Z |
dc.date.available | 2020-09-15T13:44:52Z |
dc.description | इस चित्रकारी को एम. वी. धुरंधर नाम के एक भारतीय कलाकार ने बनाया है। पहले चित्र में पंढरपुर जाते हुए तीर्थयात्री को दर्शाया गया है, और दूसरे में मराठा लोगों की भांति दो महिलाओं को दर्शाया गया है। पहली चित्रकारी के ऊपरी दाएं कोने पर, पेंसिल से, अंग्रेजी में 'हलकोटी 14.8.19' लिखा हुआ है। दूसरी चित्रकारी के दाहिने निचले कोने पर पेंसिल से दिनांक '1919' लिखा गया है। |
dc.date.issued | 1919 |
dc.description.sponsorship | Dhurandhar was born in Kolhapur (a district in Maharashtra). His father understood and supported his son's extraordinary artistic talents and put him under the tutorship of famous painter Abalal Rehman. In one of his trips to Mumbai the artist came across the JJ School of Art and joined the institution to pursue his art studies. He was under the guidance of John Griffiths between 1890-95. Dhurandhar later spent most of his years teaching at the Sir J. J. School of Art, Bombay, and retired as Vice-Principal. The study course in JJ School of Art focused on academic realism where a lot of significance was laid on the correct representation of the subject. Hence the stress lay on acquiring skills in sketching and modelling after which the artist could choose to paint in oil or watercolour. Dhurandhar was influenced by Raja Ravi Varma's style of combining classical Western academic training with traditional Indian craftsmanship. He painted a lot of figurative works and studies of people and excelled in his drawings of the women figures, especially Maharashtrian women in their traditional attires and working in their kitchens, in the markets, celebrating festivals, attending weddings, etc. and won many awards when he was still studying. |
dc.format.extent | 1. 13.5 X 17.5 cm 2. 13.5 X 17.5 cm |
dc.format.mimetype | image/jpg |
dc.publisher | राष्ट्रीय आधुनिक कला संग्रहालय, नई दिल्ली |
dc.subject | आधुनिक चित्रकला कलाकृति |
dc.type | चित्रकारी |
dc.identifier.accessionnumber | ngma-03301 |
dc.format.medium | image |
dc.format.material | Watercolor, Paper |