Government of IndiaAvenues to a swara
Author: Saxena, S. K.
Keywords: Musicology
Melody
Music theory
Swara
Issue Date: 1987
Publisher: Sangeet Natak Akademi, New Delhi
Description: In our ancient text on music the individual swarais characterized in a way which is similar to how our philosophies often speak of the Ultimate: swameva rajate seems close to svapraka Sam. Even from the viewpoint of practice, a Swara is at least as important as the unit of aesthetic pace or matra. In this paper discusses some views on music today and given thought on the subject of music like its grammatical identity, aesthetic 'look', music related to the singer.
Source: Sangeet Natak Akademi
Type: Article
Received From: Sangeet Natak Akademi
| DC Field | Value |
| dc.contributor.author | Saxena, S. K. |
| dc.coverage.spatial | India |
| dc.date.accessioned | 2017-07-07T02:57:17Z |
| dc.date.available | 2017-07-07T02:57:17Z |
| dc.date.issued | 1987 |
| dc.description.abstract | In our ancient text on music the individual swarais characterized in a way which is similar to how our philosophies often speak of the Ultimate: swameva rajate seems close to svapraka Sam. Even from the viewpoint of practice, a Swara is at least as important as the unit of aesthetic pace or matra. In this paper discusses some views on music today and given thought on the subject of music like its grammatical identity, aesthetic 'look', music related to the singer. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 35-40 p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Musicology Melody Music theory Swara |
| dc.type | Article |
| dc.identifier.issuenumber | 84 |
| dc.format.medium | text |
| DC Field | Value |
| dc.contributor.author | Saxena, S. K. |
| dc.coverage.spatial | India |
| dc.date.accessioned | 2017-07-07T02:57:17Z |
| dc.date.available | 2017-07-07T02:57:17Z |
| dc.date.issued | 1987 |
| dc.description.abstract | In our ancient text on music the individual swarais characterized in a way which is similar to how our philosophies often speak of the Ultimate: swameva rajate seems close to svapraka Sam. Even from the viewpoint of practice, a Swara is at least as important as the unit of aesthetic pace or matra. In this paper discusses some views on music today and given thought on the subject of music like its grammatical identity, aesthetic 'look', music related to the singer. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 35-40 p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Musicology Melody Music theory Swara |
| dc.type | Article |
| dc.identifier.issuenumber | 84 |
| dc.format.medium | text |
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