Author: Saxena, Sushil Kumar
Keywords: Katthak (Dance)
Dance
Kathak
Issue Date: 1984
Publisher: Sangeet Natak Akademi, New Delhi
Description: Paran amad is one of the common intra-forms (or items) that make a Kathak recital. It is an essay in pure dance. In this article to see how the 'look' of a paran amad depends on the character and knitting of its syllables, and on the accord of this syllabic content with bodily figuration. It would help understanding if I distinguish the art-elements here involved: the basic rhythm (as marked by the lahrd-thekii twosome), the individual character-both audile" and rhythmic-of the bols, their order, the intervals that hold the segments apart, changes of pace, and the demands of syllables in respect of bodily aptness
Source: Sangeet Natak Akademi
Type: Article
Received From: Sangeet Natak Akademi
DC Field | Value |
dc.contributor.author | Saxena, Sushil Kumar |
dc.date.accessioned | 2017-06-21T10:17:57Z |
dc.date.available | 2017-06-21T10:17:57Z |
dc.date.issued | 1984 |
dc.description.abstract | Paran amad is one of the common intra-forms (or items) that make a Kathak recital. It is an essay in pure dance. In this article to see how the 'look' of a paran amad depends on the character and knitting of its syllables, and on the accord of this syllabic content with bodily figuration. It would help understanding if I distinguish the art-elements here involved: the basic rhythm (as marked by the lahrd-thekii twosome), the individual character-both audile" and rhythmic-of the bols, their order, the intervals that hold the segments apart, changes of pace, and the demands of syllables in respect of bodily aptness |
dc.source | Sangeet Natak Akademi |
dc.format.extent | 16-20p. text |
dc.format.mimetype | application/pdf |
dc.language.iso | en |
dc.publisher | Sangeet Natak Akademi, New Delhi |
dc.subject | Katthak (Dance) Dance Kathak |
dc.type | Article |
dc.identifier.issuenumber | 74 |
DC Field | Value |
dc.contributor.author | Saxena, Sushil Kumar |
dc.date.accessioned | 2017-06-21T10:17:57Z |
dc.date.available | 2017-06-21T10:17:57Z |
dc.date.issued | 1984 |
dc.description.abstract | Paran amad is one of the common intra-forms (or items) that make a Kathak recital. It is an essay in pure dance. In this article to see how the 'look' of a paran amad depends on the character and knitting of its syllables, and on the accord of this syllabic content with bodily figuration. It would help understanding if I distinguish the art-elements here involved: the basic rhythm (as marked by the lahrd-thekii twosome), the individual character-both audile" and rhythmic-of the bols, their order, the intervals that hold the segments apart, changes of pace, and the demands of syllables in respect of bodily aptness |
dc.source | Sangeet Natak Akademi |
dc.format.extent | 16-20p. text |
dc.format.mimetype | application/pdf |
dc.language.iso | en |
dc.publisher | Sangeet Natak Akademi, New Delhi |
dc.subject | Katthak (Dance) Dance Kathak |
dc.type | Article |
dc.identifier.issuenumber | 74 |