Author: Arnold, E. James
Keywords: Musical intervals and scales
Music
Shrutis
Issue Date: 1981
Publisher: Sangeet Natak Akademi, New Delhi
Description: This article is about the perspective on the problem of raga shrutis and analysis of grama-murcchana. Grama-murcchana system described in the earliest texts of Sangita Shastra, if slightly modified to take account of the current scale-types (Marva, Purvi, Todi, Lalit, and Bhairav) which were not a part of the original system, provides a number of keen insights into the phenomenon of raga intonation in its relation to raga melodic movement
Source: Sangeet Natak Akademi
Type: Article
Received From: Sangeet Natak Akademi
DC Field | Value |
dc.contributor.author | Arnold, E. James |
dc.coverage.spatial | India |
dc.date.accessioned | 2017-06-21T10:25:15Z |
dc.date.available | 2017-06-21T10:25:15Z |
dc.date.issued | 1981 |
dc.description.abstract | This article is about the perspective on the problem of raga shrutis and analysis of grama-murcchana. Grama-murcchana system described in the earliest texts of Sangita Shastra, if slightly modified to take account of the current scale-types (Marva, Purvi, Todi, Lalit, and Bhairav) which were not a part of the original system, provides a number of keen insights into the phenomenon of raga intonation in its relation to raga melodic movement |
dc.source | Sangeet Natak Akademi |
dc.format.extent | 27-36 p. |
dc.format.mimetype | application/pdf |
dc.language.iso | en |
dc.publisher | Sangeet Natak Akademi, New Delhi |
dc.subject | Musical intervals and scales Music Shrutis |
dc.type | Article |
dc.identifier.issuenumber | 60 |
dc.format.medium | text |
DC Field | Value |
dc.contributor.author | Arnold, E. James |
dc.coverage.spatial | India |
dc.date.accessioned | 2017-06-21T10:25:15Z |
dc.date.available | 2017-06-21T10:25:15Z |
dc.date.issued | 1981 |
dc.description.abstract | This article is about the perspective on the problem of raga shrutis and analysis of grama-murcchana. Grama-murcchana system described in the earliest texts of Sangita Shastra, if slightly modified to take account of the current scale-types (Marva, Purvi, Todi, Lalit, and Bhairav) which were not a part of the original system, provides a number of keen insights into the phenomenon of raga intonation in its relation to raga melodic movement |
dc.source | Sangeet Natak Akademi |
dc.format.extent | 27-36 p. |
dc.format.mimetype | application/pdf |
dc.language.iso | en |
dc.publisher | Sangeet Natak Akademi, New Delhi |
dc.subject | Musical intervals and scales Music Shrutis |
dc.type | Article |
dc.identifier.issuenumber | 60 |
dc.format.medium | text |