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A perspective on the problem of raga shrutis and grama-murcchana analysis

Author: Arnold, E. James

Keywords: Musical intervals and scales
Music
Shrutis

Issue Date: 1981

Publisher: Sangeet Natak Akademi, New Delhi

Description: This article is about the perspective on the problem of raga shrutis and analysis of grama-murcchana. Grama-murcchana system described in the earliest texts of Sangita Shastra, if slightly modified to take account of the current scale-types (Marva, Purvi, Todi, Lalit, and Bhairav) which were not a part of the original system, provides a number of keen insights into the phenomenon of raga intonation in its relation to raga melodic movement

Source: Sangeet Natak Akademi

Type: Article

Received From: Sangeet Natak Akademi


DC Field Value
dc.contributor.author Arnold, E. James
dc.coverage.spatial India
dc.date.accessioned 2017-06-21T10:25:15Z
dc.date.available 2017-06-21T10:25:15Z
dc.date.issued 1981
dc.description.abstract This article is about the perspective on the problem of raga shrutis and analysis of grama-murcchana. Grama-murcchana system described in the earliest texts of Sangita Shastra, if slightly modified to take account of the current scale-types (Marva, Purvi, Todi, Lalit, and Bhairav) which were not a part of the original system, provides a number of keen insights into the phenomenon of raga intonation in its relation to raga melodic movement
dc.source Sangeet Natak Akademi
dc.format.extent 27-36 p.
dc.format.mimetype application/pdf
dc.language.iso en
dc.publisher Sangeet Natak Akademi, New Delhi
dc.subject Musical intervals and scales
Music
Shrutis
dc.type Article
dc.identifier.issuenumber 60
dc.format.medium text
DC Field Value
dc.contributor.author Arnold, E. James
dc.coverage.spatial India
dc.date.accessioned 2017-06-21T10:25:15Z
dc.date.available 2017-06-21T10:25:15Z
dc.date.issued 1981
dc.description.abstract This article is about the perspective on the problem of raga shrutis and analysis of grama-murcchana. Grama-murcchana system described in the earliest texts of Sangita Shastra, if slightly modified to take account of the current scale-types (Marva, Purvi, Todi, Lalit, and Bhairav) which were not a part of the original system, provides a number of keen insights into the phenomenon of raga intonation in its relation to raga melodic movement
dc.source Sangeet Natak Akademi
dc.format.extent 27-36 p.
dc.format.mimetype application/pdf
dc.language.iso en
dc.publisher Sangeet Natak Akademi, New Delhi
dc.subject Musical intervals and scales
Music
Shrutis
dc.type Article
dc.identifier.issuenumber 60
dc.format.medium text